Adobe Captivate 5: Advanced Actions

So, you're pretty good with Adobe Captivate. But are you a bit worried about tackling Captivate's advanced actions feature? If so, this course is for you!

By the end of this highly-interactive, instructor-led class you will be able to create a Captivate project that contains actions and variables that will allow you to create this kind ofeLearning lesson.

Sprinkled throughout this advanced actions class will be best practices for creating actions, useful tips and tricks and pitfalls to avoid.

Instructor: Lori Smith

Click here to learn more or to sign up.

Adobe Captivate: Update Image Usage Project-Wide

by Kevin Siegel Follow us on Twitter View our profile on LinkedIn

Adding an image onto a Captivate slide is as simple as choosing Insert > Image. Once the image has been added to the project, adding additional instances of the image to more slides is a snap. All that you need to do is go to the Library (Window menu) and drag the image onto a slide.

Once an image is imported into a Captivate project, a link is automatically established between the version of the image within Captivate and its source file. If the source file is ever edited, every instance of the image in your project will usually get the update automatically.

I've come across instances where the automatic update feature didn't work. In that case, getting the updated image is still easy enough… right-click the image on the Library and choose Update to open the Update Library Items dialog box.

Update Library Items dialog box.

Click the Update button and every instance of the image within your project will be updated to match the source document.

Note: You can update multiple Library assets by shift-clicking or control-clicking items and then showing the Update Library Items dialog box. If you don't want to update some of the selected items, you can remove the check mark to the left of an items name.

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Looking to learn Adobe Captivate 5 or 5.5? We offer Beginner and Advanced classes. Both Windows and Macintosh developers can attend these classes.

Adobe FrameMaker: Shading Behind a Paragraph

by Barb Binder Follow us on Twitter

The question of adding shading to paragraph text comes up in my online FrameMaker class every now and then. In the past (meaning FrameMaker 9 and earlier), the solution was always a single-cell table. In FrameMaker 10, you have a choice: you can simply add a background color behind the paragraph text, or use a single-cell table. Which one is right for you?

FrameMaker 10: Adding a Background Color

  1. Create a new paragraph format. I called mine Note.
  2. Enable the Background Color checkbox in the Default Font properties sheet in Paragraph Designer and click Update All.

    Note: You may have to reduce the line spacing to remove white space between the lines of text within the paragraph.

    Enable Background Color.

    The resulting paragraph using Background Color:

    Text using the background color

FrameMaker 10 & Earlier: Creating a Single-Cell Table

  1. Create a new paragraph format. I called mine Note2.
  2. Select the paragraph and choose Table > Convert to Table.
  3. Select Treat Each Paragraph As: A Cell with the Number of Columns set to 1. Heading Rows should be set to 0.

  4. Click the Convert button.
  5. Resize the table to fit the column width.
  6. With your cursor still in the table, create a new Table format. I called mine ShadingTable.
  7. Turn off the Table Title, set your Left & Right margins, set all of the rules to None and set the First 1 Row Shading to the color of your choice.

    New table format.

  8. Click the Update All button.
  9. The result using a single-cell table:

Comparing the results of both techniques, I think the single cell table looks better. Using a table format, we have control over the cell margins and I think that's going to provide the better solution.

In either case: don't forget to add the lead-in text to your paragraph tag so that it will appear automatically whenever you use that paragraph format. 

Add the lead-in text to your paragraph tag so that it will appear automatically whenever you use that paragraph format.

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About the author: Barbara Binder is the president and founder of Rocky Mountain Training. Barbara has been a trainer for nearly two decades and has been recognized by Adobe as one of the top trainers world-wide.

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Looking to learn Adobe FrameMaker We offer Beginner and Advanced classes.

PowerPoint 2010: Animating the Pieces of a Grouped Object as a Whole

by AJ George Follow us on Twitter

Last week I was revamping the presentation accompanying our Online Trainer Training: Engaging the Virtual Learner class when I ran into a bit of an animation shortcoming in PowerPoint. I wanted to animate the boat below so it "sailed" onto the slide.

 

I wanted to animate this boat.

 

Adding the animation effect was not a problem. I had the shapes grouped in one overall boat shape and selected Animations > Add Animation > Entrance > Fly In. Then from Animations > Effect Options, I selected From Right.

The problem was that after the boat "flew" in, I wanted little people to appear on the boat. For this to look best, I wanted part of the front of the boat, but not other parts, to overlap the people so they appeared to actually be on the hull of the boat like the image below.

 

IconLogic people on the boat.

To achieve this effect I would need to ungroup the drawing. However, once the drawing is ungrouped it loses its animation properties. If all the ungrouped pieces are selected and then the animation is applied, they will all fly in from the same place at the same time, regardless of their ending position, looking less like a boat sailing in and more like a boat exploding in reverse.

Here's the solution.

  1. Assemble the pieces of the drawing, like in the first boat above.
  2. Select all the pieces and group them ([Ctrl] [G]).
  3. Copy ([Ctrl] [C]) and paste ([Ctrl] [V]) the drawing.
  4. Apply the desired animation to the original boat (Animations > Add Animation > Entrance) and position it in its ending position.
  5. Add a discreet exit animation to the original boat (Animations > Add Animation > Exit > Disappear).
  6. On the animation pane (if you don't see this, select Animations > Animation Pane to view it now), click the down-arrow next to the boat drawing's exit animation and select Start After Previous.
  7. Move the copy of the boat so that it exactly overlaps the original.
  8. Ungroup the copy ([Ctrl] [Shift] [G]). Do not click anywhere else on the slide, so the pieces in the copy will all remain selected.

    Note: If the notion of keeping the pieces of the copy separate from the original sounds daunting to you, check out this article on using PowerPoint's selection pane. Naming all of the elements on your slide will help you keep them straight. Additionally, you can use the selection pane to temporarily hide things if they are in your way.

  9. Add a discreet entrance animation to all of the copy's pieces (Animations > Add Animation > Entrance > Appear).
  10. On the animation pane, hold down the [Shift] key while you select the first and last piece of the ungrouped boat on the list.
  11. Click the down-arrow next to the first selected item and choose Start with Previous.

You have now set up the slide so that the grouped image of the boat first sails in, disappears and then, as it is disappearing, all of the ungrouped pieces of the same image appear.

Since you set the animation to disappear at the same time the pieces appear, your viewers will not notice that there are actually two boats on the screen. You will now be able to layer in other images to the drawing, such as the little people.

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About the author: AJ George is IconLogic's lead Technical Communicator and author of both "PowerPoint 2007: The Essentials" and "PowerPoint 2008 for the Macintosh: The Essentials."

Online Trainer Training: Engaging the Virtual Learner

Published reports say "the average student in online learning conditions perform better than those receiving face-to-face instruction." That's encouraging news for trainers and training companies looking to offer classes online.

Before jumping into the online training world with both feet, consider this: the world is littered with online courses that fail. Why? Typically, online classes that do not succeed are dull and far from interactive. The simple fact is this: if you don't quickly and constantly engage your students, you've lost them.

During this live, 3-hour online training event you will learn how to facilitate online (synchronous) training classes. You will be introduced to the best practices for leading an online training class and the hardware, software and venture capital you will need to get started.

Who should attend this class? If you are a current trainer, training manager or are curious how online training classes work, this class is for you!

Instructor: Kevin Siegel

Click here to learn more or to sign up.

Training: The Value of Assessments

by Jennie Ruby

Very few readers commented on my recent question about course assessments. Although I do know of at least one training company that offers assessments and feedback after the class, I am deducing that conducting assessments is not the norm. I have read a couple of articles–and one book–saying that we will need to start proving that our training is effective by providing after-the-class assessment. Training on Trial, by Jim D. Kirkpatrick and Wendy Kayser Kirkpatrick, published in 2010, makes this case.

According to their scheme, which they call the Kirkpatrick Business Partnership Model, there are four levels of results that can be assessed: Reaction, Learning, Behaviors, and Results. The class evaluation students fill in immediately after a class measures what they call "reaction" only. The other levels of assessment are largely left undone.

To begin to tap into these additional levels of assessment, we have to go back to the books and clearly define the goals of the training, and then assess whether measurable results have occurred. Have the students absorbed the material in a measurable way? Have they adopted new behaviors? And finally, have those new behaviors resulted in the business results that were the ultimate goal of the training?

One of our readers did talk about exactly this process of defining clear objectives and then observing behaviors:

Before you can discuss assessment, you have to go back to the objectives. If you have stated the objectives in behavioral terms you can readily determine whether those behaviors (or a simulation of those behaviors) can be assessed online.

Examples:

  • Objective is to know whether the hemoglobin level of a potential blood donor is acceptable for donating. This objective can be easily assessed through simulations (e.g., "You just performed a finger stick on Geri, a potential donor. The result was xxx. What should you do?")
  • Objective is to demonstrate effective listening skills during a simulated conversation with an irate customer. You could test whether the learner knows facts about active listening, but that isn't what your objective set out to do. You cannot assess the objective without watching the learner perform.

    Andrea Mitchell

Perhaps this kind of assessment is needed only for certain kinds of learning. But reading Training on Trial certainly gave me a lot to think about in my own training endeavors. If you have an opinion on the Kirkpatricks' work or on other aspects of how and whether we need to do assessments of training success, we would love to hear from you.

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About the Author: Jennie Ruby is a veteran IconLogic trainer and author with titles such as "Editing with Word 2003 and Acrobat 7" and "Editing with MS Word 2007" to her credit. She is a publishing professional with more than 20 years of experience in writing, editing and desktop publishing. Jennie is currently teaching two classes for IconLogic: Writing Training Documents and eLearning Scripts and Writing Effective eLearning Voiceover Scripts.

Live Training vs. eLearning: Which is Better? The Results Part II

by Jennie Ruby

Last week we focused on the benefits of classroom training. This week, I planned to focus on eLearning or asynchronous learning alone. However, as I reviewed the responses from readers over the past two weeks, I found that far more readers favored a combination of classroom or instructor-led methods and eLearning.

Some additional thoughts on the benefits of classroom training came in this week. One reader tells us that surveys show that classroom training is preferred by learners:

"As a global organization, we have encountered the e-Learning vs. classroom battle as well….results from internal surveys have shown that the preferred method of learning is via classroom training." Christine Grauer

Another reader gives us reasons students like having an instructor with them:

"I was a college lecturer for over 11 years teaching computer graphics. I then set-up my own computer training company 20 years ago. I have found in my experience that delegates prefer to have a live person in front of them, either demonstrating or going through exercises with them, so that at any point they have a problem, I am there to help.

They can ask questions, I can show the group or individual why something didn't work for them etc. The number of times I have had delegates have an A HA moment never ceases to amaze me." Neil W Mason

Mason goes on to tells us that "eLearning and videos are fine as a backup or as an aid after the initial training." Whether used before or after live training, e-Learning is seen as providing variety to learners that are diverse in their needs and learning styles:

"Our company uses both instructor-led webinars and a self-paced video library as key components in the learning process. Some people seem to learn better one way or the other based on their personal learning style –for example [they may be] a take charge self-paced kind of person versus someone who needs the commitment of a specific class time and ability to ask questions. My personal feeling is that a combination is the two is best." Phil Eschtruth Harrison

"I've been a trainer for many years, in areas ranging from competitive equestrian sport to computer software skills. If there is one thing that I have learned, it's that learners range wildly in temperament, and one size will never fit all. The best form of training – be it online or in the classroom (or even in the arena!) – is that which allows for the most flexibility in pace, depth and interaction." Lia Scott

Another Skills & Drills reader describes how a combined system can work:

"In fact [students] can take the courses at their own pace, at their office, or from home. No need for [them] to travel, no need for an instructor to travel. Just need an instructor available to answer questions, and this can be done remotely. Students can call in to a help desk or the instructor can set up a time to meet with the students via conference call at a set day and time and answer any questions the students may have." One of our readers

"Our department developed system training using Captivate. We developed both demos and simulations. The instructor is in the classroom [and] provides a lecture, then the students complete a Captivate Demo. [After that,] the students complete a Captivate simulation. So in this situation … there can be both e-Learning and instructor-led training being done in the classroom." One of our readers

Similarly, the combination of television and webinar could be a model for combining computer-based training and instructor interaction:

"You look at Oprah the last few nights with her Lifeclass on TV (could be a 15 minute CBT!) followed by a live webinar on Facebook — [which] answers questions, many [viewers send in] as they are watching her TV program. I think this is the wave of the future. … I think there are very few activities that can only be done in a classroom." Denise Farrar

Other new training uses newer technologies:

"Adults down the road are going to be more attuned and inclined to learn via tablets. It's more fun than trooping off to a classroom and passively listening to an instructor without any control. The student has control over the online training experience and, eventually, there will be a computerized instructor that will answer questions posed by students similar in the way the new Siri answers questions posed by IPhone 4S users." John Schuetze

The cost of classroom training may not always be able to compete with the economies of scale achieved by e-Learning:

"For many companies, classroom training is becoming a luxury, one that not everyone can afford. There are also constraints: it's not cost effective to do classes with just a few people … sometimes travel costs are barriers to customers/clients, time zones come into [conflict], there are also licensing issues with some types of classroom training. So, for us, the next best thing is interactive software training. We offer task-based tutorials on how to learn our software. Some of our software packages have these tutorials built in….

"Also, many learners today are more comfortable learning via online or e-Learning and don't want to sit through longer classes when they can go at their own pace through asynchronous e-Learning. They see it as more efficient for them. If we can make the e-Learning interactive enough to give them that hands-on experience, then the training can be very effective. Over the past several years, we've added more and more e-Learning tutorials and less classroom training." Tracey Stokely

And eLearning may be especially appropriate for certain kinds of learning, such as computer applications:

"Most clients prefer the classroom environment for content related to machinery operations and maintenance. On the flip side, most clients are happy to go the eLearning route for content related to software or computer systems." Sanju

For now, it looks like the combination of training methods is the way many companies are going. But one additional reason some companies prefer classroom training is the need for assessment of learning.

A classroom trainer can often tell whether the students have reached the learning objectives–at least during the class. Can we provide this kind of assurance through some combination of eLearning and a Learning Management System? Does clicking through a Captivate module make for a fully-trained operator? My question this week is: Are you doing assessments of skills, knowledge, and/or application after training? Do online quizzes fill this bill? Does sitting through a class mean success? We would love to hear from you about testing, assessment, or skills ratings you are doing or seeing your clients do.

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About the Author: Jennie Ruby is a veteran IconLogic trainer and author with titles such as "Editing with Word 2003 and Acrobat 7" and "Editing with MS Word 2007" to her credit. She is a publishing professional with more than 20 years of experience in writing, editing and desktop publishing. Jennie is currently teaching two classes for IconLogic: Writing Training Documents and eLearning Scripts and Writing Effective eLearning Voiceover Scripts.

PowerPoint 2010: Creating a Spinning Animation

by AJ George Follow us on Twitter

Have you ever tried to use PowerPoint to create a spinning animation (such as the ticking hands of a clock)? If so, you may have gotten frustrated and quit because the most logical animation to use–the spin animation–spins objects from their center axes. To illustrate, let's say you made a clock, and it looks like the example below.

 Sample clock

If you apply the Spin animation (Animations > Add Animation > Emphasis > Spin) to the minute hand you will see that it spins from its center axis, as opposed to the base. Rather than rotating from the center of the clock, it ends up looking something more like the clock below.

 

To work as planned, here's what you do.

  1. Select the item you want to spin from its base, the minute hand in this example. (Ensure that the graphic is ungrouped by clicking it and pressing [Ctrl] [Shift] [G] on your keyboard.)
  2. Copy the graphic ([Ctrl] [C]).
  3. Paste the graphic ([Ctrl] [V]).
  4. Ensure the duplicate graphic is selected and flip it vertically (Drawing Tools Format > Rotate > Flip Vertically).
  5. Flip the duplicate horizontally (Drawing Tools Format > Rotate > Flip Horizontally).
  6. Use the arrow keys to line up the bases of the clock hands.

  7. Format the duplicate clock hand to have no fill (right-click the duplicate and choose Format Shape > Fill > No Fill).
  8. Format the duplicate clock hand to have no line (right-click the duplicate and choose Format Shape > Line Color >No Line).

    The duplicate clock hand should now be invisible.

  9. Hold down the [Shift] key while selecting the original and the duplicate clock hands.
  10. Group the clock hands ([Ctrl] [G]).
  11. Add the Spin animation to the grouped shape (Animations > Add Animation > Emphasis > Spin).

    When your clock hands spin now they will do so properly and look more like the image below.

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About the author: AJ George is IconLogic's lead Technical Communicator and author of both "PowerPoint 2007: The Essentials" and "PowerPoint 2008 for the Macintosh: The Essentials."

Adobe Captivate 5.5: Lowering the Size of Published SWFs

by Kevin Siegel Follow us on Twitter View our profile on LinkedIn

I often hear from Captivate developers who are required to output smaller and smaller SWFs, while making their lessons more and more interactive. Fortunately, adding interactivity to a lesson does not negatively impact the size of the published SWF. Rather, imported assets such as audio, video and images are the main culprits behind SWF bloat.

There are some things that you can do while working in Captivate that may lower the size of the published SWF. Here are a few of my favorites:

Shorten the Lesson

Ideally, none of your lessons (modules) play for more than 5 minutes. However, if you can trim the lesson down to 2-3 minutes of playtime, you'll save on SWF file size. More, but smaller lessons are better than fewer, larger lessons. As a bonus to smaller SWFs, shorter lessons will allow your learners to move through the modules fast–something that all eLearning developers should make a priority.

Use Fewer Slides

Keep the number of slides in your Captivate project as low as possible. Simply put, the more slides in your lesson, the larger the published lesson will be, especially if your lessons are larger (a large width and/or height) and you captured pixel-heavy backgrounds.

Use Less Audio

I'm a huge fan of adding audio effects and voiceover audio to a lesson. However, nothing will bloat a published SWF quite like audio. If you need to use audio, check out the next section.

Use a Lower Audio Bitrate

The higher the bitrate, the higher the quality of your audio. However, since most people will be consuming your published content using a system with something less than high fidelity audio capabilities, consider a bitrate of 64kbps or lower.

Loop Background Audio

If you are going to include background audio, use a tiny portion of the audio file. During the import process, you can elect to loop the audio. The smaller the portion of the background audio used, the smaller the published lesson will be.

Avoid Animations

Adding animations to your lessons is a great idea. However, since the animations will be embedded within the published SWF, they will cause the SWF to bloat.

Avoid FMRs

Full Motion Recordings (FMRs) are videos created by Captivate when you drag your mouse during the recording process. Since FMRs are videos, they'll bloat your published SWF.

Externalize Resources

By default, your Skin, Widgets, FMRs and Animations are embedded in the published SWF. If you externalize them, the published SWF will be much smaller. However, you will now have to keep track of the resources and ensure they are stored in the same folder as the main SWF or they won't appear in your published lesson. You'll find the option to Externalize Resources by choosing File > Publish Settings.

ExternalizExternalize Resourcese Resources

Lower the Size of the SWF During the Publish Process

Earlier I suggested that you avoid or limit the use of audio, FMRs and use as few slides as possible. It's highly unlikely that you will be able to avoid those kind of resources completely (or at all). In that case, you can lower the size of the SWF when you publish.

  1. Choose File > Publish Settings and select SWF Size and Quality. Select Compress Full Motion Recording SWF file to compress any SWFs in your lesson.
  2. Drag the slider in the Settings area from High down to Medium or Low. As you do, notice that your Slide Quality Settings will lower to Low(8 bit), your audio quality will lower and the quality of the Jpeg images used in your lesson will lower.

    Lowering the size of SWFs.

Note: The lower you drag the Settings slider, the more your SWF will compress. However, the lower you go, the more you run the risk of altering the quality of the lesson's assets so much that the appearance of your lessons will suffer negatively. You can also drag the slider down to Custom and manually set the options for your lesson's resources.

The suggestions above aren't an exhaustive list of possibilities when it comes to lowering the size of your SWF. If you've got some sure-fire techniques to lower the size of your published SWF, feel free to send it to me. I'm happy to post your suggestions here in a future issue.

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Looking to learn Adobe Captivate 5 or 5.5? We offer Beginner and Advanced classes. Both Windows and Macintosh developers can attend these classes.