ARTICULATE STORYLINE 360 VERSUS 3: Clear up the Version Confusion

Articulate recently released Storyline 360, an update to its awesome eLearning devleopment tool. Even more recently, Articulate released Storyline 3. And then came version confusion when eLearning developers pondred the choice between subscribing to Storyline 360 or purchasing Storyline 3 outright. Developers wanted to know the difference between the two versions.
 
In a nutshell, Storyline 360 and 3 are almost identical. Here's a short list of the features you'll see in 360 that you won't see in version 3:
  • Articulate 360 Content Library Integration
  • Content Library Templates
  • Content Library Characters
  • More than a million Content Library Photos, Illustrations, Icons, and Videos
  • Integration with Articulate Review for Stakeholder Reviews

If you're still confused about the differences between the Storyline versions, check out this handy chart provided by Articulate.

ADOBE CAPTIVATE 2017: Responsive Design Has Never Been So Fluid

by Kevin Siegel, CTT, COTP

When it comes to eLearning that will look awesome on just about every kind of device (including desktop computers, smart phones, and tablets), Adobe Captivate jumped to the front of the eLearning development tool class when Responsive capabilities were introduced in Captivate version 8 and continued in Captivate 9.
 
Using Captivate's Responsive features (available only if you chose File > New Project > Responsive Project), you can design each of your slides for up to five different devices (known as breakpoints, three of which are shown in the image below).
 
 
In Captivate 8 and 9, the problem with creating Responsive projects was having to deal with multiple breakpoints. If you had an image on the Desktop breakpoint that would be too large or not cropped appropriately for the tablet of mobile breakpoints, you would have to manually edit the image on the other two breakpoints. While modifying slides elements across a few breakpoints on a few slides isn't a big deal, imagine how much work it would be if your project contained 100 slides and you had to modify objects across all those slides for each breakpoint!
 
To make Responsive design easier than ever, Adobe has done away with breakpoints (at least by default… if you loved working with Breakpoints in Captivate 8 or 9, you can choose Project > Switch to Breakpoint Mode and design with breakpoints like always).
 
When you create a new Responsive project in Captivate 2017, you'll see a Preview menu above and to the left of the slide. Using the Preview menu, you can quickly see how a slide will look across several devices including a Desktop computer, iPhone, Google Pixel, and Galaxy S6.

 
Above and to the right of the slide is a new Preview Slider (shown in the first image below). You can drag the slider to any width you like and then save the side to the Preview menu by clicking the Plus sign shown in the second image below.

 
Fluid Boxes
 
I used to teach an introduction to HTML class years ago when creating web pages in Notepad and then previewing your work in a web browser was about as sophisticated as it got (there was no Dreamweaver back in those days… pages were hard coded). The problem with web pages in the old days was that it was difficult to position page elements in specific regions of a page unless you used tables.
 
I like to think of Fluid Boxes much like a table (where you've got cells, rows, and columns that can contain any kind of Captivate object). While Fluid Boxes aren't tables, and there aren't any cells, thinking of Fluid Boxes as tables might make it easier for you as you play with them.
 
If you look at the Captivate 2017 toolbar, you'll notice there's a Fluid Box tool (keep in mind that this tool will only be available if you create a Responsive project). Clicking the tool presents two options: Horizontal and Vertical. From there, you decide how many "table cells" you want. In the image below I'm going Vertical with three "cells."

 
And here is how a previously blank slide looks after inserting the Fluid Box.

 
And check out the Properties Inspector. There's a Fluid Box Selector that shows the contents of the slide sort of like a parent (the Fluid Box itself) and the three "cells."

 
I had the parent selected so was quickly able to resize each of the "cells" as needed. I was also able to add text, images, and other objects just as I always could. However, because Adobe is attempting to streamline your development time, there are limits to how specific you can be when working in Fluid Boxes. The intent here is to quickly add content to a box and move on. If exact position of objects is more your cup of tea, you should work with Breakpoints as mentioned above.
 
I was able to create the slide below in about five minutes. 

 
The slide I created isn't going to win any beauty contests, but that's not the point. Thanks to Fluid Boxes, I was able to quickly get a responsive slide finished.
 
Look what happens when I preview the project in my web browser: the layout doesn't simply resize, it automatically reflows the content based on the size of my browser window. 

 
Did you notice in the image above that some of the slide text about Biff is missing? And did you also notice that fancy icon to the right of the text? The icon is a visual indicator to the learner that there's more text than will currently fit onscreen. Should the learner tap the icon, they'll see the missing text in an overlay. 

 
What do you think, pretty nifty right? And while there's certainly more to Fluid Box layouts than I've covered here (goodness there's all kinds of controls to play with on the Properties Inspector), I'm hoping this has gotten your attention and you'll spend some time playing with them.
 
There are other new features to love in Captivate 2017 and I'll be covering them here. Stay tuned.
***
 
Looking to learn Adobe Captivate? No travel budget? Check out these live, online, and very hands-on Captivate classes

Kevin Siegel, CTT, COTP, is the founder and president of IconLogic. Following a career in Public Affairs with the US Coast Guard and in private industry, Kevin has spent decades as a technical communicator, classroom and online trainer, public speaker, and has written hundreds of computer training books for adult learners. He has been recognized by Adobe as one of the top trainers world-wide.

 

WEBSITE ACCESSIBILITY: The Problem with Popups

by Mary Gillen, COTP

Do you have content, such as a survey, on your website that automatically opens in a popup window? If the answer is yes, it's likely that your website will fail compliance testing.

The Web Content Accessibility Guidelines (WCAG 2.0) define how to make web content as accessible as possible to people with disabilities. And according to WCAG, you should not use popup windows without an explicit alert beforehand.

If you're new to accessibility, you should know that accessibility covers a wide range of disabilities, including visual, auditory, physical, speech, cognitive, language, learning, and neurological.

WCAG Guideline 3.2.1, which covers website predictability, compares two possible interactive areas of a website says that dropdown menus are better than popups because users don't lose focus as they tab through menus but can get thrown off by popups.

Here's what the WCAG specifically says about dropdown menus: "A dropdown menu on a page allows users to choose between jump destinations. If the person uses the keyboard to move down to a choice and activates it (with a spacebar or enter key) it will jump to a new page. However, if the person moves down to a choice and either hits the escape or the tab key to move out of the pulldown menu – it does not jump to a new screen as the focus shifts out of the dropdown menu."

Compare the success of a dropdown menu to the the following failed scenario of a popup window: "When a field receives focus, a help dialog window describing the field and providing options opens. As a keyboard user tabs through the Web page, the dialog opens, moving the keyboard focus away from the control every time the user attempts to tab past the field."

 
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Want to learn more about creating accessible websites? Check out Mary's upcoming mini course: Website Accessibility: 17 Steps You Can Take Today to Ensure Future 508 Compliance
***
 
Since 1995, Mary Gillen has designed and developed Web sites and applications that serve all responsive, 508-compliant, accessible and search engine-optimized. Over the years, she has developed responsive and accessible-compliant Web sites for large corporations, small startups, non-profits, associations, Federal government agencies, and more. Clients include: National Institutes of Health, The World Bank, International Brotherhood of Teamsters, Cancer Research Foundation of America, American Pharmacists Association, McKinsey & Company, and many others. Responsive design, search engine optimization, 508-compliant, and WCAG 2.0 standards (from A to AAA) are always applied.

Adobe Captivate: Introducing 2017

by Kevin Siegel, COTP

Adobe recently announced a upgrade to Adobe Captivate, its popular eLearning development tool.
 
According to Adobe's Allen Partridge, Captivate version 2017, includes several new features including something called Fluid Boxes.

"To understand Fluid Boxes, you need to first imagine the various items on the screen are each contained in a virtual rectangle," said Partridge. "As the screen size changes, the boxes will intelligently rearrange, remove, realign and resize themselves to accommodate multiple screen sizes and orientations. The Captivate team has taken this even farther by enabling some elements to maintain static relationships within any box, and other elements to dynamically stretch, scale, and rearrange within any given box."

Beyond Fluid Boxes, there are additional new features I'll be writing about in the coming weeks. For instance, there's integration with Adobe Typekit that will ensure the awesome (but not Web Safe) fonts your designer wants to use in your eLearning project actually display correctly for your learners. And there's an Asset Library that includes more than 75,000 images, characters, templates, and themes that are free to use in your Captivate projects. 

If Advanced Actions are your thing, you'll be happy to learn that standard and conditional actions have been combined, a long-awaited enhancement that will streamline your development efforts.

Upgrade Anyone?

The first question I always get when someone is upgrading from an older version of Captivate to a new version is this: "Will my legacy Captivate projects open in the new version?" The answer is a resounding yes. Simply choose File > Open, find existing projects, and open them. The project will open in Captivate 2017 without fanfare. When you save the project the first time, you'll be alerted that it's being converted to version 2017.

Note: Once you convert your project to version 2017, there's no going back (it will not open in an older version of Captivate).

 
 
Fluid Boxes are Great, But What's the Coolest Thing About Captivate 2017?
 
As I mentioned above, I'll be covering the coolest new features in Captivate 2017 over the next few weeks. However, I do want to cut to the chase here and tell you about what is possibly the most exciting enhancement in Captivate 2017 (no offense to Fluid Boxes): the ability to save a standard Captivate project as a responsive project.
 
When I teach students how to create responsive eLearning with Captivate  using Captivate 8 or 9, learners tend to get bummed out when they learn that they can either create standard projects or responsive projects, but there's no going back and forth. This is a significant limitation. If the boss or customer asks for a non-responsive to be responsive, the only way to make a standard project responsive is to create a new project and then copy/paste assets from the standard project to the responsive project.
 
That was so yesterday…
 
With Captivate 2017, all you need to do is choose FIle > Save as Responsive. You'll be alerted that some items in a standard project might not work well in a responsive project (you can click the Show Unsupported Items button and find out for sure). Clicking the Save button converts your project to a responsive project quicker than you can blink. (Note that you can save a standard project as responsive, but you cannot save a responsive project as a standard project.)

 
Next time: Fluid Boxes.
***
 
Looking to learn Adobe Captivate? No travel budget? Check out these live, online, and very hands-on Captivate classes
***

Kevin Siegel, CTT, COTP, is the founder and president of IconLogic. Following a career in Public Affairs with the US Coast Guard and in private industry, Kevin has spent decades as a technical communicator, classroom and online trainer, public speaker, and has written hundreds of computer training books for adult learners. He has been recognized by Adobe as one of the top trainers world-wide.

MadCap Flare: The Medium is Part of the Message

by Neil Perlin

Stylesheet mediums, located in the Stylesheet Editor, can automatically reformat your content depending on the output target you’re generating.

Let’s say that you have to generate two output targets from your project: online and print. You want the h1 headings to be blue in the online output; black in print output.

You could create two stylesheets, one for the online output with h1 set to blue; one for print with h1 set to black. That would work but it’s inefficient because you’re creating and maintaining two style sheets, and you will have to remember to pick the right style sheet when you generate each output.

Mediums are simpler…

Think of a medium as a category of output for which you want to set different properties for some styles instead of their default settings. Let’s say that most of your outputs are online so you decide to make blue the default font color for h1. However, because you want the h1's to be black when you print, “Print” is the medium.

Here's another example: You want hyperlinks and cross-references to use underlined blue text for online output, which you decide is your default. However, the links need to be black with no underline for print output. In this instance, you would tell Flare that links and cross-references should be underlined, blue for the default medium but black with no underline for the print medium.

When you define a target, Flare automatically sets its medium in the Advanced tab of the Target Editor. It automatically uses the print medium for Word, PDF, or Framemaker outputs and the default medium for other targets. Using the h1 color example, this means that h1s will be black in Word, PDF, or Framemaker targets and blue in all other targets. If necessary, you can create other mediums for custom needs and apply them to the targets, overriding Flare’s automatically applied mediums.

So how do you set the properties for a particular style for a particular medium? Open the Stylesheet Editor, then click the Medium drop-down menu. Here’s what you’ll see in Flare 12. (Note: In Flare 11 or earlier, the options are default, print, and non-print but the concepts are the same.)

 
 

Select the desired style, say h1, make sure the medium is set to default, and set the default properties  (such as the font color to blue, for example). Then change the medium to the desired alternative, (print for example), and set the alternative properties (setting the font color to black for example). That’s it! 

You can see the effect in two ways. 

  • Switch between any mediums for which you changed styles. You’ll see the change. For example, here’s the effect for font color, first for the default medium with the color set to black. (Note the highlighted medium setting and font-color setting– #4169e1 is hexadecimal for a dark blue.)

If you change the medium to print, you'll see settings specifically for printing. Note the highlighted medium and font color settings – #000000 is hexadecimal for black.

 
  • Change the layout when viewing the topic in the topic editor and you’ll see the medium change too. For example, here it is with the Layout field set to Web and the Medium field set to default. The title is blue. When you generate the output with the default medium, all topic titles will be blue.
 

Change the Layout field to print and Flare automatically changes the Medium to print. When you generate the output using the print medium, all topic titles will be black.

 

There’s much more that you can do with mediums but this overview should have given you some ideas of how they can enhance Flare’s single sourcing power.

***

Neil Perlin is MadCap-Certified for Flare and is a long-time consultant, troubleshooter, and trainer for the tool, going back to MadCap’s founding in 2004. He also has years of experience with older tools like RoboHelp and Doc-To-Help and now defunct tools like ForeHelp. He is also a certified app developer, trainer, and consultant for the ViziApps app development platform. You can reach him at nperlin@nperlin.cnc.net and at NeilEric on Twitter.

Adobe Captivate: A Real Topper

by Kevin Siegel, COTP, CTT

If you need to show an object on several slides, you have a few options. First, you can copy and paste the desired objects onto each slide. The problem with this technique is potential updates down the road. If you need to move all of the objects to a different part of the slide, you will have to move the objects one at a time (not exactly efficient, especially if there are several slides containing the object).
 
Alternatively, you can place objects on a Captivate Master Slide. Once the Master Slide has been applied to any number of Filmstrip slides, the objects on the Master Slide will appear behind Filmstrip slide objects.
 
To demonstrate the awesome power of Adobe Captivate's master slides, I present you the square and the star shown in the image below (both shapes were created using Captivate's Shapes tool and positioned on a Filmstrip slide).

 
 

I wanted the star to appear on every slide in the project. To begin, I cut the star to my Clipboard (right-click > Cut) and then accessed the Master Slide by clicking Master slide view on the Properties Inspector.

 
I then pasted the star onto the Master Slide. (In the image below, notice how the star is now on the larger Main Master Slide and the Content Master Slide.)
 
I returned to the Filmstrip slides by clicking Exit Master.

 
And check it out… all of my Filmstrip slides now have a star shape.

 
On the Filmstrip slide containing my original square, I moved the square so that it overlapped the star. By default, Filmstrip slide objects are positioned in front of Master Slide objects. In the image below, you can see that the star, which is on the Master Slide, is positioned behind the square. And because I cannot select or move Master Slide objects while on a Filmstrip slide, I cannot simply send the square behind the star, or bring the star in front of the square. If I'm required to have the star appear in front of the square, it seems that I have run into a Master Slide limitation… I mean feature.

 
Oh you're such a clever reader… you're thinking there has to be an easy way around this problem… and there is. On the Properties Inspector, enable Master Slide Object On Top and, on the slide, the star is instantly moved in front of the slide object (the square). 

***
 
Looking to learn Adobe Captivate? No travel budget? Check out these live, online and very hands-on Captivate classes
***

Kevin Siegel, CTT, COTP, is the founder and president of IconLogic. Following a career in Public Affairs with the US Coast Guard and in private industry, Kevin has spent decades as a technical communicator, classroom and online trainer, public speaker, and has written hundreds of computer training books for adult learners. He has been recognized by Adobe as one of the top trainers world-wide.

Creating Accessible Websites: Don’t Just “Click Here!”

by Mary Gillen

Most people who surf websites don't think twice about the link they're about to click. The linked text typically says "click here." The web surfer assumes the link will load a page based on something seen earlier in the text.

However, if the web surfer is visually impaired, assistive devices such as screen readers will inform the surfer where the link will take them. When you use generic text like "Click Here" or "Read More" as instructions in linked text, it is confusing because the link says nothing about the content that will appear once the link is clicked.

Another thing to note: screen readers often tab from one link to the next. Tabbing between links labeled "click here" sounds like "click here, tab, click here, tab, click here" when read by an assisitive device.

As an alternative, consider changing the link text so it is an explanation of the target content. This will make more sense when read by a screen reader.

EXAMPLE

Original Instruction Text: Click here
Revised Instruction Text: Click here to read the latest news 

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Looking to learn more about creating accessible websites? Check out Mary's upcoming mini course: Website Accessibility: 17 Steps You Can Take Today to Ensure Future 508 Compliance
***

Since 1995, Mary Gillen has designed and developed Web sites and applications that serve, all responsive, 508-compliant, accessible and search engine-optimized. Over the years, she has developed responsive and accessible-compliant Web sites for large corporations, small startups, non-profits, associations, Federal government agencies, and more. Clients include: National Institutes of Health, The World Bank, International Brotherhood of Teamsters, Cancer Research Foundation of America, American Pharmacists Association, McKinsey & Company, and many others. Responsive design, search engine optimization, 508-compliant, and WCAG 2.0 standards (from A to AAA) are always applied.

Piktochart: Working with Images

by Karin Rex

The success of an infographic depends on how visually arresting its images are.

While Piktochart image tools are somewhat intuitive, I wanted to share a few tricks that will make an Piktochart apprentice into a Piktochart professional.

Uploading and Inserting an Image

You are not stuck with using only the images that Piktochart provides. You can upload any image you own and use it in your infographic.

1. In Piktochart, click Uploads.

2. Do one of the following:

  • Drag an image from your desktop into the area provided
  • Click Browse Images, locate an image, and open it

3. The uploaded image will appear in the palette below the Uploaded Images area.

To insert the image, select the block where you want it and the click the image.

Note: The amount of storage space you have for images will depend on the type of Piktochart account you have. A Lite account offers 100MB of space; a Pro account offers 400MB of space. Your remaining space is pictured below the Browse Images area.

 

Colorizing Icons

Piktochart offers a ton of icons for you to use. Some of the icons are color and some are mono (black or white). Mono icons can be easily colorized.

To view the Mono icons:

1. Click Graphics

2. Click Icons

3. Click Mono

 
To Colorize an Icon:
 
4. Select the icon
 
5. Click the Paint Bucket tool
 
6. Choose a color from the Default Colors area.
 
Note: You can also click the plus sign beneath Recent Colors and enter your own color value.
 
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Looking to learn Piktochart but don't have a lot of time or money? We've got you covered. Check out Karin's upcoming Piktochart Quick Start mini course (it's just $79). During class, you will explore visual communication basics and design principles as well as traditional infographic categories. You will also explore some infographics that work well–and some that do not. 
 
 
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Geeky Girl Karin Rex is an online learning pioneer and infographic evangelist. Since 1989, Karin has owned Geeky Girl, LLC, a boutique learning organization, where she devotes her time to writing, course development (instructor led and eLearning), and teaching. 

 
Karin has authored several technology books, including: Office 2010 Demystified (McGraw-Hill) and hundreds of user guides, reference manuals, and tutorials. She’s also developed an extensive number of learning programs for a wide variety of global clients.
 
Karin is a certified synchronous facilitator, designer, and producer, with a master’s degree in professional writing. Additionally, Karin teaches undergraduate writing courses for Penn State University and is the Instructional Design Lead for InSync Training.