Captivate: Pick Your Color

The Color Picker is a handy, yet overlooked new tool in Adobe Captivate 2. Using the Color Picker, you can pick up the color properties of just about anything on your computer.

For instance, you need to match the color of the text used in your Text Captions to a color in your logo. The problem is you’re not sure what "that color is" or how to recreate it. No problem, you can use the Color picker to "pick" the logo’s color for you.

Follow these steps to success:

  1. Insert a new Text Caption or double-click an existing text caption to display the Text Caption properties
  2. Select the text
  3. Select either the Highlight Color or Font Color pick list (the black arrow to the right of either tool)

    The Pick color tool is the eyedropper located in the lower right of the color panel

  4. Select the Pick color tool

    Your mouse pointer will now look like the Pick color tool. Anything you point to now will display its colors–at the pixel level.

  5. Point to anything on your screen containing color
  6. Click one time on the color you would like to pick

    The text you selected will magically be using the color you picked.

  7. Click OK
You can use this same technique to pick the color for slide backgrounds, Highlight fills and frame colors, and more.

Grammar: Squinting Modifiers

In many languages the placement of a modifier— whether a single word, a phrase, or a clause—does not matter. However, in the English language the placement is very important. Incorrect placement can often lead to an ambiguous or a nonsensical meaning. A modifier should be placed so that the writer’s intended meaning is clear. Four problems may potentially occur with the placement of modifiers: squinting modifiers, misplaced modifiers, dangling modifiers, and the careless placement of only.

Sometimes the modifier is placed so that the meaning is ambiguous. It is not clear whether the modifier belongs with one part of the sentence or with another part. Move the squinting modifier so that the meaning is no longer ambiguous, or use that to cluster the modifier appropriately.

  • The marathon coordinator said Friday we would have a trial run.— Squinting (Did the coordinator give this information on Friday, or is the trial run on Friday?)
  • Friday the marathon coordinator said we would have a trial run.— Clear
  • The marathon coordinator said we would have a trial run on Friday.—Clear
  • The marathon coordinator said that Friday we would have a trial run.—Clear
  • The marathon coordinator said Friday that we would have a trial run.—Clear
  • The company representative told us eventually the president would meet with us.— Squinting (Did the representative eventually tell us, or did the president eventually meet with us?)
  • The company representative eventually told us the president would meet with us.— Clear
  • The company representative told us the president would eventually meet with us.— Clear

Want to learn more? Read our grammar and editing books.

Dreamweaver 8: Creating and Defining a Site Folder

For new Web developers, creating a Web site is challenging enough; learning Dreamweaver can seem impossible. And for many people who find Dreamweaver difficult to master, it’s creating a site folder that causes significant confusion. Let’s see if I can simplify the whole site folder deal.

Before starting Dreamweaver, the first thing you should do is select a folder on your computer (or create a new folder) to be used as a site folder. After you start Dreamweaver, you will "point" Dreamweaver to the folder. Every Web page you create from within Dreamweaver will automatically be saved to the site folder. You can manage multiple Web sites by simply defining more folders as site folders.

Create and Define a Site Folder on Your Desktop

  1. If necessary, close or minimize all open windows so that you can see the desktop
  2. If you are on a PC, right-click the desktop and choose New > Folder to create a new folder; right- click the new folder and choose Rename from the shortcut menu and name the new folder MyFirstSite

    If you are on a Macintosh, choose File > New Folder to create a new folder on the desktop and then name the new folder MyFirstSite

    There should now be a new folder on your desktop called MyFirstSite. Now it’s time to define this new folder as a Site Folder.

  3. Start Dreamweaver
  4. Choose Site > Manage Sites
  5. Click the New button and choose Site
  6. Select the Basic tab
  7. Type Your First Name’s First Site into the Site Name area (e.g. Kevin’s First Site)
  8. Click Next
  9. Select No, I do not want to use a server technology
  10. Click Next
  11. Ensure Edit local copies on my machine, then upload to server when ready is selected
  12. Click the little folder at the right
  13. Navigate to the Desktop (this is where you saved the MyFirstSite folder)
  14. PC users, open the MyFirstSite folder and click Select; Mac users select the MyFirstSite folder and click Choose

Want to learn more? Read our Web Authoring books.

Writing: Commas and the Short Phrase

Most grammar references discourage writers from setting off short introductory words or phrases that refer to time or place. Short usually means one to three words. Some references say one to four words. Some organizations’ style manuals direct writers, editors, and proofreaders to place a comma after these short phrases. Be sure to be consistent.

Here are examples of short phrases of time and place that should not be followed by a comma.

  • In 1999 we received a supplemental appropriation to enforce the new regulation.
  • On Tuesday we will meet to discuss the proposed downsizing.
  • In my office I have the client’s most recent draft of the proposal.
  • Today we received the material that should have been delivered yesterday.

The exceptions to this rule include sentences that could be misread without the comma and sentences beginning with three-part dates. Note that the year in a three-part date should always be set off with commas, no matter where it is in a sentence. When two numbers are next to each other, they should be separated by a comma.

Here are examples of short phrases of time and place that should be followed by a comma.

  • In 2000, 300 people attended the retirement workshops.
  • On October 28, 2000, the committee met to discuss the risks of drug XYZ.

Want to learn more? Read our grammar and editing books.

Print Publishing: Not Your Father’s Library

Back in the old days, you went to the library if you wanted access to shared assets–mainly books. The library had them, you didn’t.

If you had a library card, you could check out a book or two. Of course, if the book was not available, you had to wait until it was returned–if it ever was returned. And then, horror of horrors, you actually had to bring the book back by some random due date– or there would be big trouble.

Welcome to 2006. Both Adobe InDesign and QuarkXPress have libraries all their own. And you are gonna love them–mainly because they’re like the old libraries in name only.

You can use libraries to store commonly used graphics and text that you can pull onto your layout anytime you need them. Any bit of text and graphic that you use frequently in your layout is a good candidate for being copied into a library. Objects used many times, yet in differing locations on the page could be put into a library, and thus your productivity could be increased.

There’s really no limit to the number of elements that you can add to a library, and there is no limit to the number of libraries you can create. The only limiting factor is the amount of free space on your hard drive.

To create a library in either QuarkXPress or InDesign, choose File > New > Library. Give the library a name and then save it.

A new library palette will appear on your screen. It will look like a floating palette but is actually a file. If you were to close it by mistake, you could get it back by choosing File > Open.

Once the library is on your screen, you can drag any object into it (including text, pictures and groups). While you can name any library object in both QuarkXPress and InDesign, InDesign goes several steps farther than QuarkXPress and allows you to treat the library like a database (you can assign keywords and Object Types to library objects) and search for any objects in the library.

And once an object is in the library, it’s as simple as a "drag and drop" to use library objects in your layout. Unlike your father’s library, there is no limit to how many times you can use library objects, and once borrowed, you never return them.

Want to learn more? Read our print publishing books.

Captivate: Controlling the Content of an Auto Caption

When recording movies in Captivate, the easiest recording technique is to have Captivate pull the screen shots and create the captions for you. It’s a very cool, fast process. (You can find archived articles on this BLOG that discuss how to record Captivate movies.)

However, it won’t take you long to discover that Captivate has a bizarre way of describing events. For instance, an auto caption that instructs the user to select a command from a menu will say "Select the… menu item." I don’t know about you, but when I want to instruct a user to select a menu command, I say "Select the… command" not "menu item."

Another strange instruction would be for a user to click the Combo Box–otherwise known as a "Pick List" or "Drop Down List."

Of course you can edit a caption on the fly (by double-clicking the caption and displaying its properties). Or you can perform a "round- trip" using Microsoft Word, where you can edit the captions in a Word table and then import the changes back into Captivate. While not particularly difficult, both options can be labor intensive. (You can review an archived article about this on this BLOG.)

Wouldn’t it be nice if the auto captions automatically contained the descriptive phrases you wanted? No problem. You can quickly edit a Captivate support file that will force Captivate to use the event descriptions you want. Here’s how:

  1. Open the folder containing Captivate (if Captivate 1, the location is typically C:\Program Files\Macromedia\Captivate; if Captivate 2, the location is typically C:\Program Files\Adobe\Adobe Captivate 2)
  2. You will see several files that end with the file-name extension of RDL. All you need to do is open the file with a text editor (such as NotePad) and edit the tags as you see fit. (Caution: It’s a good idea to backup the RDL file you are about to edit so that you can go back to it should things go badly.)
  3. In this instance, I want to control any future English captions so I opened CaptureTextTemplates_English.rdl
  4. Then I scrolled down until I found the following line of text: Object Name="MenuItem" DefaultTemplate="Select the %s menu item"
  5. I changed the tag so that it read: Object Name="MenuItem" DefaultTemplate="Select the %s command"

    Note that the only change I made was the phrase "menu item" became "command."

  6. And Bam, that’s it. Save the text file and close it. Start Captivate and record a movie to test the results.

Writing: Commas, Commas, Commas

Note: The following comes from our top-selling grammar book, Abrams’ Guide to Grammar.


Commas Overview The comma is probably the most used, overused, and misused form of punctuation. For some reason, writers often suffer from comma angst. I have no magic formula for learning comma rules; they are many. Some may even be a judgment call. But even so, you must be able to go to a rule to support any change you make. Once you understand a rule for the comma—again that’s understand, not memorize— you will be able to make a generalization about the rule and apply it to your writing, editing, or proofreading.

Commas with Independent and Dependent Clauses

Two independent clauses can be connected with a comma and a coordinating conjunction (and, but, for, or, nor, yet, and sometimes so.) For example:

  • She was a welcome guest in our home, and she always made us feel we were the perfect hosts.

Use a comma to set off an introductory dependent clause. A dependent clause contains both a subject and a verb, but it is incapable of standing alone as a sentence because of the word introducing the clause. Words that commonly introduce dependent clauses include when, that, as, if, unless, although, after, because, since, until, though.

  • Because we cut the budget, we will not be able to hire any new staff members this year.

Do not use a comma to set off most adverbial dependent clauses at the end of a sentence unless the clause is parenthetical. Adverbial clauses answer one of the following questions: where? when? why? to what degree? in what manner?

  • We will not be able to hire any new staff members this year because we cut the budget.

Note: Dependent clauses that begin with that, which, who, and whom are not adverbial clauses.

Commas After Introductory Constructions

Commas are used to set off most types of introductory constructions. Introductory constructions are words, phrases, or clauses used at the beginning of a sentence or at the beginning of an independent clause elsewhere in the sentence.

Set off an introductory dependent clause with a comma. We have already discussed setting off a dependent clause when it appears at the beginning of a sentence. A dependent clause introduced by a subordinating conjunction is usually not set off if it appears at the end of a sentence.

  • Although punctuation may seem arbitrary, most rules are closely related to meaning.

Note that although makes the first clause dependent. The comma after arbitrary helps make the independent clause stand out.

Remember to place a comma after a dependent clause that introduces an independent clause in the middle of a sentence.

  • I walked to the library to get Anita Shreve’s new book, but when I arrived, all copies had already been checked out.

Note that the preceding sentence begins with an independent clause. But joins the first independent clause with a second independent clause, which itself is made up of one dependent clause and one independent clause. A comma is placed after book because it introduces an independent clause and makes the independent clause stand out. Remember, more important information should be in the independent clause.

Use a comma to set off an introductory verbal phrase. A verbal phrase is a word group containing a verb form that is used as another part of speech and has no subject. There are three forms of verbals: the infinitive (to walk), which can be an adjective, adverb, or noun; the present participle (walking), which is always an adjective, and the past participle (walked), which is also always an adjective. As with dependent clauses, the use of the comma after the verbal phrase makes the independent clause stand out.

Here are examples of verbal phrases.

  • Infinitive phrase: To learn to play the guitar properly, you must take lessons and practice every day.
  • Present participial phrase: Offering tender loving care, the nurse was a favorite among the patients on the pediatric ward.
  • Past participial phrase: Embarrassed by his ill-spoken words, he quickly changed the subject.

Use a comma to set off transitional words and phrases. Transitions are words or phrases at the beginning of a sentence that help connect the sentence to the preceding sentence.

Here are examples of transitional words and phrases.

  • Finally, the seniors will participate in an all-night grad party.
  • In the meantime, you may use the computer in the lab.
  • As a result, we can all enjoy an extra day off.

Print Publishing: Image Formats You Can Import into QuarkXPress and Adobe InDesign

Both Adobe InDesign and QuarkXPress allow you to place (import) graphics created in graphics programs such as PhotoShop, Illustrator and Freehand. You can place PSD, AI, PDF, EPS, TIF, DCS, JPEG, GIF, PNG, PhotoCD, PICT and other graphic formats. Although many file formats are supported, consider sticking with TIF and EPS images for prepress print workflow and cross-platform issues. Talk to your prepress service provider before choosing to work with PSD, PDF and AI files to ensure they can work with these types of images.

Here’s a description of some of the graphic formats that can be imported:

  • DCS 2.0 (Desktop Color Separations): an EPS saved as a single file. This kind of file is pre- separated and therefore prints faster than a standard EPS.
  • EPS (Encapsulated PostScript): can contain bitmap and object-oriented information. This format allows you to include low-resolution previews for screen display and non-PostScript printing. Since some EPS files do not have a preview when you go to import them into a picture box, a gray box appears in the picture box instead of the image. Even so, the picture still prints.
  • GIF (Graphics Interchange Format): a popular graphic file format for Web pages. These kind of images can support up to only 256 colors.
  • JPEG (Joint Photographic Experts Group): a popular format for Web pages that compresses very well. These kinds of images support 24-bit color. PhotoCD: developed by Kodak and meant for storage on CD-ROMs.
  • PICT: developed for the Macintosh. PICTs contain bitmap and object-oriented information.
  • PNG (Portable Network Graphics): a bitmap format that is touted as the replacement for the GIF format thanks to its better compression and color capabilities. PNG images are supported only by newer Web browsers.
  • TIFF (Tagged Image File Format): can contain bitmap and object-oriented information and support bitmap, grayscale, RGB, CMYK and indexed color models. Like the JPEG format, compresses very well.
  • WMF (Windows Metafile): developed for Windows. WMFs can contain both bitmap and object- oriented information.

When you import pictures, both InDesign and QuarkXPress remember the path to the original image file—called a link. When someone change the location of the image, modify or delete it, both programs prompts you to relink or update the graphic via the Links palette (InDesign) or Usage dialog (QuarkXPress).

All content, graphic or otherwise, is placed in a frame. You can place a picture into any selected graphics frame. Once placed in a frame, you can crop the graphic, resize it, reposition it and, if the picture is a one-bit or grayscale TIF, you can even recolor it. If you have not made or selected a frame before placing a graphic, InDesign creates the frame automatically. With QuarkXPress, you must create a Picture box before attempting to import a picture. Although both programs allow you to change size, skew, color, rotation and transparency effects, doing so can increase the size of the PostScript file— resulting in longer print times—and increase the possibility of PostScript errors. It’s better to make such changes in a graphics program before importing them into either InDesign or QuarkXPress.

Print Publishing: Tracking and Kerning

The goal of many print publishers is professional- looking and readable typography. To help you reach this goal, both QuarkXPress and InDesign come with tools to ensure the best visual spacing between words and characters in your layout. To achieve the best results possible, you can use tracking or kerning.

Tracking is the process of loosening or tightening the spacing of a selected text. Kerning is the process of adding or subtracting space between two specific characters. Tracking and kerning are both measured in 1/1000 em, a unit of measure that is relative to the current type size. In a 6-point font, 1 em equals 6 points; in a 10-point font, 1 em equals 10 points.

Here are keyboard shortcuts to track or kern text in both QuarkXPress or InDesign. Keep in mind that if you want to track text, select at least two characters. If you want to kern, click between two characters.

QuarkXPress 7

  • Decrease 1/20 em space: [command] [shift] [{]
  • Increase 1/20 em space: [command] [shift] [}]
  • Decrease 1/200 em space: [command] [alt] [shift] [{]
  • Increase 1/200 em space: [command] [alt] [shift] [}]

InDesign CS 2

  • Decrease 20 thousandths em space: [alt] [left arrow key]
  • Increase 20 thousandths em space: [alt] [right arrow key]
  • Decrease 100 thousandths em space: [alt] [command] [left arrow key]
  • Increase 100 thousandths em space: [alt] [command] [right arrow key]

Grammar Clinic: The Parts of Speech


The following comes from our top-selling grammar book, Abrams’ Guide to Grammar.


If I were to ask you how many parts of speech we have in the English language, I’m sure you would say “eight” and rattle them off: noun, pronoun, verb, adjective, adverb, preposition, conjunction, and interjection. So I won’t ask.

Remember those horrible vocabulary assignments given to you by your 7th-grade English teacher: “Look up twenty-five words and write the definition, the part of speech, and a sentence.” By the time you got to the end of the list, you were just happy to be done. You probably had no idea what any of the words meant or how they should really be used. The truth is, no word is a part of speech until it’s used in a sentence.

I’ll give you six sentences using the word down, and each time I use it, it will be a different part of speech.

  • Eric fell down. (In this sentence down is an adverb because it is modifying the verb fell.)
  • Eric fell down the stairs. (In this sentence down is a preposition.)
  • The quilt is made of eider down. (In this sentence down is a noun because it names a thing.)
  • The down elevator was broken. (In this sentence down is an adjective because it modifies a noun.)
  • She downed the ball on the fifty-yard line. (In this sentence down is a verb because it is the action of the sentence.)
  • Down! (Okay, so I cheated a bit here. In this sentence down is acting like an interjection, but I guess we would agree that it is really an adverb as it is modifying the understood word get as in “Get down!”)
  • As a word person, you may not be asked often to label the part of speech of words, but when you are editing and proofreading, it’s a good idea to have the ammunition to support your changes. In a later module, we will be discussing the difference between adjectives and adverbs to avoid errors such as “I feel badly.”

The Parts of Speech: Definitions

Noun: Names a person, place, or thing. A noun can be a common noun, such as friend, monument, river, and street, or a proper noun, such as Ellen, Washington Monument, Hudson River, and Main Street. A noun can name something concrete, such as a chair, computer, dog, or desk, or something abstract, such as love, justice, honor, or friendship. Possessive nouns are adjectives because they modify nouns: Susan’s bike, Alfonso’s idea, Jacob’s car, and Hasim’s music.

Pronoun: Takes the place of a noun. Pronouns include personal pronouns, such as I, she, we, and they. Pronouns also include words such as this, that, these, those, who, whom, some, most, many, all. Possessive pronouns such as his, hers, ours, and mine can stand alone (This is his). Possessive pronouns such as his, her, our, and my modify nouns and are considered adjectives (This is his book).

Adjective: Describes a noun or a pronoun. Adjectives include words such as large, one, the, a, funny, and happy.

Verb: Expresses an action or a state of being. Verbs include overt actions, such as run, laugh, write, and sing. Verbs also include mental actions, such as think, decide, review, and love. State of being verbs include words such as is, are, was, will be.

Adverb: Describes a verb, an adjective, or another adverb. Adverbs answer the following questions: How? Why? When? Where? To what degree? The following words can function as adverbs: quickly, very, quite, somewhat, intelligently, there.

Conjunction: Connects two words or phrases or clauses. Conjunctions include simple coordinating conjunctions: for, and, nor, but, or, yet. Conjunctions also include subordinating conjunctions (if, until, unless, when, where, because) and correlative conjunctions (either/or, neither/nor).

Preposition: Stands before a noun and together with the noun becomes a phrase modifying something else in the sentence. The following words are examples of prepositions: in, for, to, under, around, above.

Interjection: Expresses an exclamation in the middle of a sentence without grammatical connection to other words. The following words are interjections: ouch, ah, oh, oops.