Adobe Captivate: Don’t Throw The Closed Captions Away with the Audio

by Kevin Siegel
 
Closed captioning allows you to provide descriptive information that explains the audio recording in written text. If your playbar contains a CC button (most playbars do by default), a learner has the option to click the CC button which will display a panel where the closed caption text will appear.

Adding closed captions to a slide is relatively simple. Choose Audio > Audio Management to open the Advanced Audio Management dialog box. Select a slide that contains audio and, at the bottom of the dialog box, click the Closed Caption button. From there, click where you want the closed caption, click the Add Closed Caption button (the plus sign) and type the caption.

Closed captions

It really is a simple process… labor intensive, but simple. If you have several slides with audio, you'll need several closed captions, which will take time. But seeing how you are determined to add closed captions to your project, you work and work and work and then, one day…success… your project has hundreds of closed captions. Congratulations are in order!

And then your world falls apart… the client requests that the audio on several slides be replaced with new audio. You honor the request only to realize, with absolute horror, that the closed captions for the replaced audio clips have been deleted and now you'll have to recreate the missing closed captions. Unless…

If you need to replace a slide's audio clip, you have two choices. First, you could choose Audio > Import to > Slide and replace the existing audio clip with the new one. This sounds like the most straightforward method. However, if you proceed, you will lose the slide's closed captions (sort of like throwing out the baby with the bath water). Instead, choose Audio > Edit > Slide. Select the waveform via the Edit tab and replace it by either clicking the Import button or the Library button. Once the audio has been replaced, check out the Closed Captions tab and you'll see that the captions have been retained. Nice!

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Looking to learn Captivate? We have a couple of options… we still offer two online classes for Captivate 4, Beginner and Advanced. Click here for details on the Beginner class. Click here for details on the Advanced class. We also have a 3-hour class devoted to Advanced Actions. Click here to learn more about that class. Lastly, we've got classes for the new Captivate 5. We are currently offering a Captivate 5 Essentials class (the Advanced class is under development).

***

Follow me on Twitter: www.twitter.com/kevin_siegel

Acrobat 9: Office 2010 and Acrobat

by David R. Mankin

Microsoft released Office 2010 not long ago and I couldn't wait to see the upgraded suite in action. After playing with the new software for a while, I really liked the way Word 2010 looked and felt.

But then it happened….

I needed to convert a Word 2010 document into a PDF. I went about the task using my usual process: after saving the Word file, I went to click on the Acrobat tab found in Word 2007 to bring the Acrobat Ribbon forward… and the Acrobat tab simply wasn't there. Huh? I poked around Word 2010, menu by menu but found no hint of an Acrobat Ribbon or its coveted PDFMaker. Oh no! My readers and my students know how I rely on the PDFMaker for converting Word to PDF over printing to PDF. In fact, if you want automatically-created bookmarks, articles, or have any hopes of a 508-compliant PDF file, you really need to use the PDFMaker.

An internet search about the missing PDFMaker quickly revealed that I was not imagining this problem, and I was not alone in my discovery. In fact, here are excerpts from Adobe's online FAQ regarding this issue:

The Acrobat ribbons, also known as Acrobat PDFMaker, do not work with Office 2010 applications the same way they do with Office 2007. Customers using Acrobat 9.0 through 9.2 will see the Acrobat ribbon in Office 2010 applications; however, attempting to use PDFMaker functionality from the Acrobat ribbon can result in unexpected behavior. Customers who update to Acrobat 9.3 or later will not see the Acrobat 9 ribbon in Office 2010 applications.

Adobe plans to add support for its Acrobat PDFMaker technology for Office 2010 in the next major version of Acrobat.

If you rely on the PDFMaker's capabilities to create smart, capable PDF files, or if 508 Compliancy is required in your PDFs that come from Word, you may NOT want to upgrade your Office apps just yet. Adobe is clearly aware of the issue, and we will all be making smart, compliant PDFs from Office apps soon. Stay tuned.

Are you intrigued by the mention of smart PDF files? Might you be missing out on some of the amazing features that are part of Acrobat technology? Sign up for one of my Acrobat classes where you will learn that there are tons of neat and useful hidden commands and capabilities.

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About the author: David R. Mankin is a Certified Technical Trainer, desktop publisher, computer graphic artist, and Web page developer. And if that wasn't enough, of course David is an Adobe-certified expert in Adobe Acrobat.

Adobe Captivate: Pulling Manual Screen Shots

Question: What Do I Do When Captivate's Print Screen Does Not Work?

I'm using Adobe Captivate 4. When I try to create a screen capture using my keyboard, I press print screen but instead of a Captivate screen capture, SnagIt opens. What can I do to create a screen capture using Captivate? I would prefer not to close SnagIt.

Answer: You can easily change the key used to create manual screen captures. While print screen is the Captivate default, there are often programs that have already started on your system that have laid claim to the keyboard command. Since you say that you do not want to close the conflicting program, open Captivate's Preferences. Go to the Keys category and enter a different keyboard shortcut into the manual screenshot area instead of print screen.

Writing & Grammar: Ways to Deal With Tracked Changes Aversion

by Jennie Ruby

In my classes on editing with Word, I hear one complaint more than any other: "The people whose writing I am reviewing do not know how to use tracked changes."

Editors and publications people take my classes, but then express despair at the thought of getting their colleagues to cooperate in doing their reviews with the software: WandG2

"I can see a fight coming."

"My boss hates tracked changes."

"The problem is, the people I work with won't do this."

IconLogic reader Lia Scott adds, "Those who do attempt to use the online tracking often have difficulty following it–resulting in many double words, extra spaces and formatting issues. These are usually easy to fix, but show that they have trouble reading the document with the changes tracked."

When I first started teaching "electronic editing," or editing with red-lining or tracked changes, I figured I would have a couple of years of teaching the subject and then the entire industry of editing would be using tracked changes routinely. But this barrier still exists: the reviewers outside the editing department are nervous, reluctant, or downright against working with the tracked changes.

How can we get these colleagues to feel more comfortable with tracked changes and work with us on eliminating the redundant work of paper-based reviews?

One direction is to educate. As my colleague Dave Mankin said once in an Acrobat class, we have to be emissaries to our less tech-savy coworkers and explain the features of the software and show them the many ways it can be used beyond the basics.

I routinely include a cover letter to reviewers (the email message to which a document with tracked changes is attached) that explains a few settings the reviewer may want to use in reviewing the document. One of the tools I recommend in Word is the Display for Review tool, where a reader can select Final versus Final Showing Markup. By selecting Final, I explain, the reviewer can see a clean copy of the document. If any questions about what was changed arise, I explain, the reviewer can switch back to Final Showing Markup to see the changes.

For especially averse reviewers, I sometimes include two copies of the Word document: one with the changes accepted and one with the tracked changes still showing. I recommend that they read the clean one and write me an email with their changes.

I have also had success including a brief how-to about the Comments tool. Even if that is the only tool the reviewer uses, I do often get the changes in electronic form instead of in a faxed-back hand-marked printout.

Adobe Acrobat takes a different approach than Word, offering tools that reviewers may find are more akin to writing changes on a printout. The Text Edits tool harks back to the carats and dele's (a proofreading symbol used to mark something for deletion) world of hand-written changes. And the Sticky Notes tool, both in name and appearance, mimics the process of attaching a small, colorful sticky to a print document. For offices that have at least one copy of Acrobat Standard or Professional, the Acrobat reviewing tools are a nice alternative that may get reviewers over their tracked change aversion.

Have any tricks you use to get reviewers to be comfortable? I'd love to hear from you about this issue. And in upcoming classes these and other tools both in Word and Acrobat will be examined in depth.

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Are you an eLearning developer who has been tasked with creating an effective voiceover script? If so, consider attending my Writing Effective eLearning Voiceover Scripts class. I also teach the Writing Training Documents and eLearning Scripts class.

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About the Author:
 Jennie Ruby is a veteran IconLogic trainer and author with titles such as "Editing with Word 2003 and Acrobat 7" and "Editing with MS Word 2007" to her credit. She is a publishing professional with more than 20 years of experience in writing, editing and desktop publishing.

eLearning & mLearning: Everything You Need to Know About Graphics, Part III

by AJ George
 
So far in this graphics series we've covered whether you should use dynamic or static images and then how to best use static images if you so choose. This week I'm going to share my favorite free image sources.

Recommended Free Image Sites

There are many great resources for stock photos and images. I'm going to focus on those that are free and do not appear to have many use restrictions.

Pixel Perfect Digital: I find that this site is pretty hit or miss. When it has an image I want to use, it is usually beautiful and easily manipulated (i.e. the background is easy to remove). The selection of images is relatively small so if they do not have the perfect image for you, you won't have to click through 30 pages of images to find out (which is why I always look here first).
 
Deviant Art: The selection of stock photos at Deviant Art is not only impressive, but also it is often overlooked by other eLearning professionals so you might find these images are more original than those found on other free stock image sites.
 
Every Stockphoto: You could spend the time to peruse well-stocked photo sites like stock.xchng or freerange stock, or you could just go to this free stock photo aggregator and let it search these sites and many more at the same time for you. Definitely a time saver.
 
Dreamstime: Dreamstime is a paid stock photo site, but they have an impressive free photo section. The search options aren't as fine-tuned as other sites so you may have to sift through a lot of images to find something you like, but I don't have to search long to find a great image.
 
Rapid eLearning Blog: It's not everyday that there are people out there that will take the time to create professional looking images and then just give them out for other people to use freely, but on the Rapid eLearning Blog this happens fairly regularly. If you are not already following this blog, you should be. The content is not geared toward stock photos, but provides a more polished approach to using clip art type images in eLearning. Check out this post with free downloadable officey elements that could prove very useable in your next eLearning course.
 

Click here for Part I of the Graphics Series, Dynamic or Static Images?

Click here for Part II of the Graphic Series, Using Static Images to Improve Learning.

Click here for Part IV of the Graphics Series, Easy Image Manipulation.

Click here for Part V of the Graphics Series, Tips for Making Your Own PowerPoint Graphics.

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About the author: AJ George is IconLogic's lead Technical Writer and author of both "PowerPoint 2007: The Essentials" and "PowerPoint 2008 for the Macintosh: The Essentials." You can follow AJ on Twitter at http://twitter.com/andrayajgeorge.

Featured Online Classes

Writing Training Documents and eLearning Scripts
 
Got Captivate or Camtasia as your eLearning tool? Great! You've learned how to use your tool of choice. Perfect! Now what? The first thing you should do, before starting your eLearning tool, is develop the best script you can.

Not a writer? This live, interactive writing course is designed for you. Think of it as an intensive retreat that will give the jump-start you need to create clear, concise step-by-step documentation that effectively educates and motivates adult learners.

Created in response to inquiries by IconLogic's audience (including former students), this course quickly gets your writing compass pointed in the most productive direction. Whether you're writing technical documentation, training curriculum and materials, or eLearning scripts, this intensive course delivers instruction and practical experience on critical topics including:

  • The writing process and structure.
  • Identifying and thinking like your audience.
  • Facilitating the conversation between SME's and the reader.
  • Promoting the "WOW" factor.
  • Keeping "the voice" active, accurate… and short.
  • Avoiding common grammar mistakes.
  • Identifying and eliminating deadwood.
  • Writing narratives that will "hook" your audience.
  • Writing step-by-step procedures that make the most of the learner's time and effort
This course is 100% interactive. Participants will use their word processor during class to write narratives and step-by-step documentation. At the completion of each lesson, all participants engage in lively discussion that further teaches and reinforces effective technical writing habits and techniques.
Click here to learn more or to sign up.
 
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Writing Effective eLearning Voiceover Scripts

You can write step-by-step instructions like a pro, but now you have been asked to create voice-over narratives for e-Learning scripts. Suddenly you must break out of the concise and factual focus of instructional writing and create text that engages and motivates the learner.

In this interactive half-day class you will learn to define the appropriate voice and tone for a narrative text and take specific steps to create the engaging and personable writing style that voice-over narratives require.

During the class you will

  • Define your audience.
  • Establish the appropriate voice, tone, and vocabulary for that audience.
  • Learn the specific verbal techniques that create your intended voice and tone.
  • Practice using appropriate sentence lengths and structures.
  • Discuss how to skate the fine line between engaging and cheesy.
  • Learn three specific writing styles that will directly engage the learner.
  • Use realistic scenarios to contextualize the onscreen lesson.
  • Practice writing narratives with our planned examples, or, if you choose, work with an actual project of your own.
  • Choose between practicing with our planned examples, or working with an actual project of your own.

Click here to learn more or to sign up.

Adobe FrameMaker 9: But I Don’t Want a Plain, Round Bullet!

by Barb Binder
 
Bullets live in the Numbering Properties of the Paragraph Designer. If you are willing to use a plain, round bullet you are in luck! It's the very first option:

Basic FrameMaker bullets

Select the bullet symbol and the tab character as shown above, set your hanging indent from among the Basic Properties and you are good to go.

But what if you don't want a plain, round bullet? You can create a custom bullet. And while the process isn't hard, it is not very intuitive for a new FrameMaker user. During the steps that follow, I'll teach you how to create a custom bullet.

  1. Start by deciding what character you would like to use. Symbols like squares, circles and diamonds are very common requests. But if you have access to more exciting ornamental fonts, then the fun is just beginning. To see your options, open FrameMaker 9, click your mouse at the end of a bullet paragraph and choose File > Utilities > Character Palette.

    Note: For older versions of FrameMaker without the Character Palette, you can use Windows Character Map to locate the desired character.

  2. Scroll through the list, looking for the ornamental fonts. If nothing else, you should at least have Webdings, and Wingdings 1, 2 and 3.

    Ornamental fonts

  3. Hover over an interesting symbol to enlarge it, and when you find one you like, click once to add it to the document. In my example, I'm choosing a squirrel icon in the Webdings font. Note the last line of the palette: Latin Small Letter O with Grave.
  4. Click outside the palette to close it.

    I'm not actually seeing my squirrel yet: it's a Latin Small Letter O with [an accent] Grave. Good thing I saw that in the palette, so I'm not panicking, yet!

    Letter O with [an accent] Grave

    The next step is to create a character format to transform the ò into a squirrel:

  5. Select the letter.
  6. Copy the character to the clipboard.
  7. Choose Format > Character > Designer and then choose Commands > Set Window to As Is.
  8. Give the new format a simple name (I used the name Webdings).

    Type in a short, logical name

  9. Change the Family to the desired ornamental font
  10. Optionally, change the size and/or the color
  11. Click Apply, then click Create.

    Apply, then create!

    OK, now I have a squirrel at the end of my paragraph. He was just there so that we could see what I was doing, go ahead and delete him.

  12. Choose Format > Paragraph Designer > Numbering Properties.
  13. Paste your symbol on the Autonumber Format line that you copied earlier, followed by a tab. Don't forget to pick your Character Format from the list on the right before you finish up with an Update All.

    Use the new Format

    Cool! Squirrel bullets!

    Squirrel bullets!

Now, I do realize that unless you are working for the International Society of Squirrels, you are highly unlikely to ever use this particular bullet in your technical documents. When I'm wearing my production hat, I'm usually forced to choose between boxes, diamonds, circles, etc. Here's a handy list for "real life":

Bullet list
 

Just type in the character in the top row, create a character format to change the font to Wingdings , and assign the character and the character format through Paragraph Designer.

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If you are new to FrameMaker and want to get up to speed quickly, join IconLogic's instructor-led, online Introduction to Adobe FrameMaker class. Hope to "see" you there.

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About the author: Barb Binder is the president and founder of Rocky Mountain Training. Barbara has been a trainer for nearly two decades and has been recognized by Adobe as one of the top trainers world-wide.

Adobe Captivate: Hearing (Extra) Voices? You’re Not Crazy!

by Kevin Siegel
 
Text-to-Speech (TTS) was one of the coolest new features in Adobe Captivate 4. In the new Captivate 5, TTS is still available but the interface for converting text to speech has changed (like everything else). In addition, if you've grown tired of Paul and Kate as your speech agents, you will be pleasantly surprised by what you will find when you use the feature for the first time.

Before you can take full advantage of Captivate's TTS feature, you will need to install the software and agents. The installers (there are now two that come with Captivate 5) are typically found in the Adobe Captivate 5 Content\Add-ons folder that is part of the Captivate 5 installation files. There is an installer for Neospeech (which adds the two legacy voices for Captivate 4, Paul and Kate); and an installer for Loquendo (which provides three new voices: Stefan, Juliette and Simon).

Once the text to speech software has been installed, converting text to speech is a snap.

  1. Go to a slide where you want to convert text to speech and open the Slide Notes panel (Window > Slide Notes).
  2. Click the Text-to-Speech Button.

    Text to speech button

  3. Select a Speech Agent from the drop-down menu.

    CP5 Text to Speech Agents... agents everywhere!

  4. Click the Add Text-to-Speech button (the plus sign).
  5. Type some text.
  6. Click the Generate Audio button.

    Convert button

    And just as simple as that, your text has been converted to speech.

  7. Click the Close button.
  8. Preview the slide to hear the agent at work.


The Text-to-Speech audio can be edited like any other audio clip. In addition, you can change the voice from one agent to the next, and then back again simply by choosing Audio > Speech Management. Change the Speech Agent and click Generate Audio.

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Looking to learn Captivate? We have a couple of options… we still offer two online classes for Captivate 4, Beginner and Advanced. Click here for details on the Beginner class. Click here for details on the Advanced class. We also have a 3-hour class devoted to Advanced Actions. Click here to learn more about that class. Lastly, we've got classes for the new Captivate 5. We are currently offering a Captivate 5 Essentials class (the Advanced class is under development).

***

Follow me on Twitter: www.twitter.com/kevin_siegel