Questions of the Week

Adobe Captivate: Can I Upgrade Without a Serial Number?

We want to upgrade from Captivate 3 to 4. We just bought the upgrade version of the software but we need a registration number from one of the older versions… it seems to have gone missing. Is there any way to upgrade without that information?

Answer: If you registered with Adobe, you should be able to sign into your online account and review all of your serial numbers (that's what I do when I lose this kind of stuff, which I do all the time). Otherwise, a call to Adobe to discuss your options is in order.

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Adobe Captivate: Why Am I Hearing Double-Double?

When I publish the Captivate project, I can hear an audio file twice. Any idea why?

Answer: I'm betting you've attached the audio to something you didn't intend. Go to the Audio menu and select Audio Management. Select Show Object Level Audio at the bottom of the dialog box and ensure there isn't audio attached to something by mistake. It could be attached to the presentation and you didn't know it (or other slide objects).

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Got a question you'd like answered? Email me.

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IconLogic’s I Came, I Saw, I Learned… blog is proud to now be a part of the eLearning Learning community, an excellent resource for solid content and the collaboration of some of the great minds in the field.

 

Look for our blog posts to be featured among the many other informative eLearning resources.

Acrobat: Destinations

by David R. Mankin

If a PDF file has no interactivity, its usability is directed to the next/previous page buttons and the scroll bars. Adding links and bookmarks to a PDF file is a great way to bring your document into the next tier of usability… interactivity!

If there is a page view that you wish to link to, it can be advantageous to memorize it as a Destination. Destinations can be given a specific, descriptive name, allowing for the quick and accurate recall of the destination in the future. Not only that, you can link to a destination that exists in another PDF file.

First to create the destination: You'll need to have the Destinations Panel showing. To do this, right-click in your Navigation Panel (under your icons for Bookmarks and Pages Panels will work) and choose Destinations from the list of available panels.

The Destinations Panel will probably open in a floating window. I like to drag it (by its named tab) to the Navigation Panel to dock it with my other panels.

Navigate to the desired view in a PDF document. When you are satisfied with how your target looks, click on the Create a New Destination button.

Destinations button

Give the Destination a descriptive name. Be sure to save the PDF file, allowing the new destination to be a permanent part of the file.

Next you need to create a link in either the same document, or a different one, that will use your new destination as the link's target.

Draw a rectangle in the desired spot of a page with your Link Tool (it's on your Advanced Editing Toolbar). Make your desired choices for the link's appearance, and select Go to a page view for the Link Action.

Click Next.

With the Create Go to View dialog open (which you should ignore for the next few steps), locate the destination you created earlier (in whatever document it exists, open the file if it is in another PDF file).

Click the destination in the Destination Panel, return to the Create Go to View dialog box and click Set Link.

That's it! You can now link to this destination over & over again, even from another PDF file!

Cool and Easy. Acrobat is loaded with features and tricks like this. Sign up for my next online Acrobat class (I've got one coming up soon) where you'll learn a whole bunch more.

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About the author: David R. Mankin is a Certified Technical Trainer, desktop publisher, computer graphic artist, and Web page developer. And if that wasn't enough, of course David is an Adobe-certified expert in Adobe Acrobat.

Writing & Grammar Workshop: Do Training Examples Need to Keep it Real?

by Jennie Ruby

So I am in the middle of keystroking (reviewing) my way through training materials I'm going to teach on Microsoft Excel. The directions tell me to select January through April values to create a quarterly total. Later, the same materials tell me to select January through March to create a "tritotal." Now, I'm from out of town, but I think that the tradition for a quarterly total is that it covers three months, or one quarter of the year, not four months. And in 14 years working as a publications manager and setting production budgets for technical journals, I was never asked to create a "tritotal."

As soon as I saw this example, I knew that an IT person wrote the training example, not an accountant. The question of the day is this: to what extent do training examples need to be real-life examples? The lesson still taught how to select multiple values and create a total. Did it matter whether it resembled what one would do on a real-world spreadsheet?

For part of the answer, we have to go back to the objectives of the lesson. If the objective is that the learner will be able to create totals by selecting multiple values, then the objective probably was reached. But is that good enough?

Consider this anecdote: When teaching children to solve word problems in the United States, we are typically working with kids who understand that they are supposed to do math on the problem to solve it. But without the learner's knowledge of that objective, the learning can move off of the objective. Here is a math word problem:

"There are 12 crows sitting in a tree. If you throw a rock and knock one crow out of the tree, how many crows are left?"

When given this word problem, U.S. children get the intended answer, 11. Kids in a rural area in another area of the world, however, could get this answer: 0. Why? Rural kids who are not familiar with this type of math question may think about real experience rather than the math problem, and when you throw a rock into a tree full of crows, whether you hit one or not, they all fly away. Zero crows are left in the tree.

This does not happen only with kids. When teaching the difference between which and that just this past week, I wrote this sentence on the board:

"The brown leather chair which/that is in the middle of the room is broken."

A student asked "Why don't you just delete which/that is?" In truth, the example would be a better sentence without those words. All I could answer was "Because I am using it to illustrate the difference between which and that!"

In sum, I do consider it a best practice to use examples that very closely mimic or exemplify the real-world problems that learners need to be able to solve after the training. Otherwise, extraneous problems and distractions can arise. On the other hand, constant use of serious and realistic examples can make our materials dry or even intimidating.

We would love to hear from you if you have experiences of examples gone wrong, or right! Or if you have opinions about how realistic training examples need to be.

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Are you an eLearning developer who has been tasked with creating an effective voiceover script? I'm teaching a new online class in May called Writing Effective eLearning Voiceover Scripts. During the class I'll be teaching you how to define the appropriate voice and tone for a narrative text. You will learn how to take specific steps to create the engaging and personable writing style that voice-over narratives require. I hope you can join me. Click here to learn more. I also teach the Writing Training Documents and eLearning Scripts class. You can learn about that here.

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About the Author:  Jennie Ruby is a veteran IconLogic trainer and author with titles such as "Editing with Word 2003 and Acrobat 7" and "Editing with MS Word 2007" to her credit. She is a publishing professional with more than 20 years of experience in writing, editing and desktop publishing.

eLearning & mLearning: Easy Font Resources

by AJ George

Last week I covered how a selective use of fonts can enhance the effectiveness of your eLearning and mLearning content. This week I have a few easy resources for working with fonts.

Adding Distinct Personality with Handwriting

Adding a touch of handwriting to learning presentations can help to convey playfulness, whimsy, or even formality, depending on the script font chosen. The obvious choice would be to use the stock script fonts found on most computers. But why not make it more personal with your own handwriting?

One option, if you have a Tablet PC and the free downloadable software My Fonts (or a similar setup), is to create your own fonts. For a good tutorial on how to create a font, click here. If you don’t have a Tablet PC, you can always have someone else do the work for you. For a relatively low fee (typically around $9) there are online sites where you can fill out and scan in a template of your own handwriting to be converted into a usable font. I’ve tried fontifier.com and was happy with the results, but if you’d like more options, a quick Google search will turn up many more.

If you’re in a time crunch (or maybe your handwriting is a bit on the unreadable side) and need a good resource for attractive and unique handwriting fonts fast, you can head over to Font For Peas and download their impressive selection of Scrapbook fonts that can look quite nice as eLearning accent fonts.

Font for peas



Tracking Down That Perfect Font

Often when I see a website or a bit of eLearning that has nice design, I’ll save a screen shot of it for later inspiration. This is good, in theory, but sometimes I’ll come across a successful use of a font that I don’t immediately recognize (and I don’t have the time to figure it out). So when What the Font was brought to my attention, I got a little giddy. With this MyFonts beta site, I can take a screen shot of the font I’m hunting down and upload it to their site for analysis.

What the Font



Based on a character by character break down they provide a list of possible fonts as well as the origin of the fonts.

What the font 2



I’ve found the site to be pretty accurate and a definite design time saver.

Font Feedback


I received some great feedback last week from eLearning professionals on their favorite fonts. Here are the fonts our readers are using:

  • Verdana
  • Helvetica
  • Arial
  • Calibri
  • Times
  • Palatino
  • Times New Roman
  • Century Schoolbook (for print)
  • Comic Sans (for casual documents)


Share this article via your social media accounts:






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About the author: AJ George is IconLogic’s lead Technical Writer and author of the book “PowerPoint 2007: The Essentials” and  “PowerPoint 2008 for the Macintosh: The Essentials.” You can follow AJ on Twitter at http://twitter.com/andrayajgeorge.

Adobe Captivate 4: Let Go My Tab-oh!

by Lori Smith

Allowing your learners to press the [tab] key is a great way to allow navigation in a Captivate eLearning lesson… when it works. However, if you have ever tried to include the [tab] key as a shortcut in your lessons, you have probably noticed that pressing the [tab] key can quickly take your learner right out of your lesson and all around the browser window. How frustrating! If you'd like to regain control of that pesky [tab] key read on, I have a solution for you!

The behavior that's frustrating you is called Seamless Tabbing and it allows repeated pressing of the [tab] key to extend beyond your published lesson, down to your lesson's playbar, then to the browser's address bar, toolbars and beyond.

Seamless tabbing is on by default. You can turn it off with a simple edit of your published lesson's .html file.

  1. Open the html file in Notepad.
  2. Locate the line that defines your flash movie. It will look similar to:

    var so = new SWFObject("youProjectName.swf", "Captivate", "640", "511", "10", "#CCCCCC");

  3. Right after that line, insert this line:

    so.addParam("seamlessTabbing", "false");

  4. Your code will now look similar to this:

    var so = new SWFObject("yourProjectName.swf", "Captivate", "640", "511", "10", "#CCCCCC");

    so.addParam("seamlessTabbing", "false");

Open the html file in your browser and start pressing the [tab] key. Tabbing will cycle through objects in the lesson but not jump out to your browser. The only drawback here is that you do need to edit the .html file every time you republish the project–a minor annoyance if it gets rid of a major headache.

If you know you will always want this behavior in all of your published projects, you can change the file on which your .html output is based. That file, named standard.htm is typically located at C:\Program Files\Adobe\Adobe Captivate 4\Templates\Publish\standard.htm.

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Join me in May for live, online training on Adobe Captivate Advanced Actions. And if you are new to Captivate, we offer two online classes (Beginner and Advanced). Click here for details on the Beginner class. Click here for details on the Advanced class.

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About the author: Lori Smith is IconLogic's lead programmer and Adobe Certified Expert (ACE) in Adobe Captivate.

Adobe RoboHelp 8: Search, Taken Out of Context

by Kevin Siegel

One huge enhancement found in Adobe RoboHelp 8 over older versions of the program is the improved Search features you get out of the box. First of all, RoboHelp now ranks the Search terms in order of importance. Nice. Secondly, the Topic's title and first few sentences of each found topic now appear on the Search tab.

RoboHelp Search showing rankings and topic content

While I'm happy about the Search rankings, I've had more than one customer tell me that the topic content that appears along with the topic makes the Search panel too cluttered. No matter, you can easily disable the feature.

  1. On the Single Source Layouts pod, show the Properties of the layout.
  2. Click the Next button to move to the second screen.
  3. From the Search Options area, deselect Show Context in Search Result.

    Disable Show Context in Search Results

  4. Generate and view the layout; then use the Search feature.

    You'll notice that the topic is still found, but only the Topic Title appears.

    Search with no Context

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Looking for training on Adobe RoboHelp 8? I teach a live, online RoboHelp class once each month. Click here to learn more.

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Follow me on Twitter: www.twitter.com/kevin_siegel

Writing & Grammar Workshop: More on Funny… or Not

by Jennie Ruby

I was happy to receive multiple responses to my humor article last week. During my article, I asked whether humor has a place in training materials.

One reader wrote that the reason you don't see much humor in training materials is that humor is hard to create, or create well, so that many writers don't even try. Another reader agreed, saying that it was about time "a few brave souls take the risk and thereby encourage others to catch the humor wave."

My comment that use of humor might make learners take your material less seriously was pooh-poohed by one reader, who said that use of jokes in a key-note speech, for example, "never has us leaving the auditorium feeling that we can't take the speaker seriously."

Another reader said it is probably fear of not being taken seriously that makes us steer away from attempting humor in the first place.

A reader recalled a specific cartoon from a For Dummies book that sticks in her memory and reminds her of an important point about the topic. That story proves the point of another reader, who stated that the use of humor is not a distraction as long as it helps cement a point that directly relates to the learning objective.

Several readers said that humor is best left for use in the live classroom, where the trainer can gauge the learners' reaction. I received stories about one trainer who had a roomful of people singing out loud, and another who cracked up a group with a fun "test" question that let learner's admit that the software they were learning could be a pain.

One reader commented that her team leaves the humor to the presenter or instructor, adding, "when the written materials are so dull, it's easier to be funny."

Whether learning materials should be dry like a dictionary or witty, friendly, and informal may depend a little on the topic and audience. But at least a few of my readers say it is time we worked a little harder to add some humor-or at least some wittiness-to our work.

My thanks to Dan, Joseph, Sara, a Sr. Instructional Designer in SoCal, Glenda, and Dollie for their thoughtful and fun comments on the topic.

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Are you an eLearning developer who has been tasked with creating an effective voiceover script? I'm teaching a new online class in May called Writing Effective eLearning Voiceover Scripts. During the class I'll be teaching you how to define the appropriate voice and tone for a narrative text. You will learn how to take specific steps to create the engaging and personable writing style that voice-over narratives require. I hope you can join me. Click here to learn more. I also teach the Writing Training Documents and eLearning Scripts class. You can learn about that here.

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About the Author:  Jennie Ruby is a veteran IconLogic trainer and author with titles such as "Editing with Word 2003 and Acrobat 7" and "Editing with MS Word 2007" to her credit. She is a publishing professional with more than 20 years of experience in writing, editing and desktop publishing.

Adobe FrameMaker: Defining Bookmarks

by Barbara Binder

Bookmarks are navigational links listed in the Bookmarks pane in Adobe Acrobat (and Adobe Reader) that display page content in the Document pane. I use them as an always-visible, clickable table of contents.

To that effect, I normally create bookmarks that match my table of contents. For example, if my table of contents lists the chapter titles, along with the first and second level headings, then I make sure my bookmarks do the same thing. Here's how:

  1. Open a completed FrameMaker document or book.
  2. Choose File > Save as PDF (or File > Save Book as PDF).
  3. Name the file, and then click Save.
  4. Click the Bookmarks tab at the top of the PDF Setup dialog box:

    Bookmarks tab

  5. Leave Generate PDF Bookmarks selected. Press the [Shift] key on your keyboard and click the right-pointing arrow between the Include Paragraphs and Don't Include lists. (Shift-clicking will push everything over to the Don't Include list).
  6. Scan the Don't include list and double-click only the paragraphs you want to include in the bookmark list.

    In my example, I'm moving ChapterTitle, Heading1 and Heading2 back to the Include Paragraph list.

  7. Take a moment to set up the hierarchy, or Bookmark Level, by using the double chevrons to indent the secondary, and in my example, tertiary titles.

    Bookmark Hierarchy

  8. Click Set to generate the PDF.
  9. If you don't immediately see the bookmarks in the Acrobat file, choose View > Navigation Panels > Bookmarks.

    Finished bookmarks in a PDF.

The bookmarks panel will list the paragraph text for the paragraph tags that you specified, and you can expand and collapse the various heading levels, based on how you indented the paragraph tags with the double chevrons in step 7.

If you are publishing your PDF electronically, don't forget to make the Bookmarks Panel and Page the default under  File > Properties > Initial View in Acrobat because you can't count on the average reader to know how to display bookmarks:

Acrobat Initial View

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If you are new to FrameMaker and want to get up to speed quickly, join IconLogic's instructor-led, online Introduction to Adobe FrameMaker 9 class. Too elementary for your skill level? How about the Advanced FrameMaker 9 class? Hope to "see" you there.

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About the author: Barbara Binder is the president and founder of Rocky Mountain Training. Barbara has been a trainer for nearly two decades and has been recognized by Adobe as one of the top trainers world-wide.

Acrobat: Super Size Me!

by David R. Mankin

You want a big sign! Nothing permanent, but you'd like to
make a quick, VERY large printout. Your printer, however, can't
accommodate
paper larger than legal size. Let me show you how to print a
"normal-sized"
document to larger proportions… using Acrobat!

The
print dialog box in Acrobat is one of the most flexible and thorough
I've ever
seen. If you think about it, it would have to be feature-rich since
professional print shops accept PDF files as press-ready media.

The
secret to
printing a PDF file to a desired size is in the Page Scaling drop-down
menu. To print an 8.5 X 11 inch page to poster
size, you'll change the Page Scaling option to Tile all pages.

Next, select a desired Tile Scale percentage. In my
example, I chose 200%. The print preview shows exactly how the
pages will be imposed onto (in this example, 6 letter-sized pages).

Acrobat page scaling

I kept the
default Overlap of 0.005 inches, but you can dial in whatever you'd
like. All
that's left is to print and assemble your pages like a puzzle–either
with
tape, glue stick, etc.

That was easy. You can use the page
scaling options to
print multiple pages per sheet of paper as well.

So it seems you
can either save the environment by printing
a document on fewer sheets, or ruin our planet for future generations by
making
posters out of letter-sized PDF files. So much power in your hands from
one
dialog box! Who knew? If that type of print page scaling
flexibility came as a surprise, you might want to consider signing up
for my next online Acrobat class (I've
got one coming up in a few short weeks) where you'll learn a whole bunch
more.

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About the author: David R. Mankin is a Certified Technical Trainer, desktop
publisher, computer graphic artist, and Web page developer. And if that
wasn't enough, of course David is an Adobe-certified expert in Adobe
Acrobat.